May 2020
Canopy Proposal
520 Mateo
Blown Glass - Color Bar
Sunnyvale Amphitheater
Artwork Proposal
Attachment 7
1 3533 East Olympic Boulevard, Los Angeles, CA 90023 | (323) 685-2494 | [email protected] | www.ball-nogues.com
PERMANENT COMMISSIONS
2021 Title TBD, LSU Health New Orleans, New Orleans, LA 2020 Open Prairie, Johnson County Courthouse, Olathe, KS The Sea Knows More Than Us, Commercial Bay Tower (PWC Tower/15 Customs Street West), Auckland Central, New Zealand
Above the Ploughman’s Highest Line, Davis Technical College Allied Health Building, Kaysville, UT 2019 Getting There, Los Angeles County Metropolitan Transportation Authority Maintenance of Way Building, Los Angeles, CA
Breath Catcher, 444 South Flower Street, Los Angeles, CA The Best Way Out is Always Through, Terminal 2 Parking Plaza Terminal, San Diego International Airport, San Diego, CA
2018 Organic Dr eams Synthetic Means, Advanced Research and Teaching Building, Iowa State University, Ames, IA
Soundtrack, Blue Damen Line Station, Chicago Transit Authority, Chicago, IL 96 Variations on a Phylogenetic Tree, Bessey Hall, Iowa State University, Ames, IA 2017 Suspension in Two Shells, Rivergate Tower, Tampa, FL Secondhand Geology, Central Washington University, Ellensburg, WA Welcome Terrance East & West, Headlands Center For the Arts, Marin, CA Healing Pavilion, Cedars-Sinai Medica l Center, Los Angeles, CA Lapping at the Peak, Ent Center for the Arts, University of Colorado, Colorado Springs, CO Cabinet of Obsolescence, Fort Dodge Middle School, Fort Dodge, IA Awning, Micropolitan, North Hollywood, CA
2016 Suspension #13, Colorado State University at Pueblo, Pueblo, CO Light Pillar, Royal Caribbean, Harmony of the Seas, Miami, FL 2015 Proscenium, Lincoln Hall, Portland State University, Portland, OR Orchard, El Cariso Park, Sylmar, CA
2014 Sundial, Jefferson County Government Center –Golden Station, Golden, CO Not Whole Fence, Southwest University Park, El Paso, TX The Apparent Junction of Earth and Sky, and The Fact of Seeing without Sense, Two art commissions, Veterans Affairs Aquatic Center, Palo Alto, CA
Corner Glory and Stud Wall, Two public art commissions, West Hollywood, CA Donor Wall, Del E. Webb Performing Arts Center, Wickenburg, AZ 2013 Air Garden, Bradley West Terminal, Los Angeles International Airport, Los Angeles, CA Euphony, Music City Center, Nashville, TN
2012 Waterline, San Diego County Operations Center, San Diego, CA 2011 Talus Dome, Edmonton, Alberta, Canada
2010-11 Cloud, Screen, Veil. Three public commissions, Mercy Housing, San Francisco, CA 2010 Cradle,
Santa Monica Place, Public Artwork, Santa Monica, CA
2009 Drop-In Distraction, LA County Permit Office, Los Angeles, CA 2008 City Wall, Setai Hotel, San Diego, CA
TEMPORARY INSTALL ATIONS, EVENTS & OTHER COMMISSIONS
2018 Other Side of the World, Market Square, Pittsburgh, PA 2015 Pulp Pavilion, Coachella Valley Music and Arts Festival, Indio, CA 2013 Transamerica, Modernist Icon: The Architecture and Urban Planning of William L. Pereira, Nevada Museum of Art, Reno, NV
K.A.M.P. (Kids Art Museum Project), The Hammer Museum, Los Angeles, CA 2012 Pavillon Speciale, École Spéciale d’Architecture, Paris, France Yevrus 1, Negative Impression, SCI-Arc Gallery, Los Angeles, CA 2011 Yucca Crater, High Desert Test Sites, Near 29 Palms, CA 2010 Gravity’s Loom, Indianapolis Museum of Art, Indianapolis, IN Table Cloth, Schoenberg Hall, University of California, Los Angeles, CA Double Back-to-Basics, LACMA gallery at Charles W. White School, Los Angeles, CA 2009 Built to Wear, Shenzhen & Hong Kong Bi-City Biennale of Urbanism and Architecture, Shenzhen, China Attachment 7
2 Feather ed Edge: A New Installation by Ball-Nogues Studio, MOCA Pacific Design Center, Los Angeles, CA
Elastic Plastic Sponge, Coachella Valley Music and Arts Festival, Indio, CA Bench, Edward Cella Art+Architecture Gallery, Los Angeles, CA Exposed, Arts Council of Long Beach, Long Beach, CA
Spock’s Blocks, The Urban Art Biennale, Bordeaux, France 2008 Echoes Converge, Venice Biennale of Architecture, Venice, Italy Copper Droopscape, Coachella Music and Arts Festival, Indio, CA 2007 Unseen Current, Extension Gallery, Chicago, IL
Store Window, Agnes B. Boutique, Soho, New York, NY
Liquid Sky, PS1 Contemporary Art Center, Long Island City, NY 2006 Rip Curl Canyon, Rice University Art Gallery, Houston, TX Tiffany and Company, Frank Gehry Jewelry Launch, Beverly Hills, CA Skin + Bones, Parallel Practices in Fashion and Architecture Fete, MOCA, Los Angeles, CA Untitled Hanging Installation, Kunst Universitat, Linz, Austria 2005 Maximilian's Schell, Materials & Applications, Los Angeles, CA
SELECTED GROUP EXHIBI TIONS
2017 Vase D'Avril by Tsé & Tsé 25th Anniversary, Please Do Not Enter, Los Angeles, CA 2016 10:The Miller Prize Competition Finalists, IUCA+D, Columbus, IN 2015 Xenotypes, Design Matters Gallery, Los Angele s, CA Constructions, Edward Cella Art & Architecture, Los Angeles, CA Full Moon Baazar, Mondrian Hotel, West Hollywood, CA
2014 Almost Anything Goes: Architecture and Inclusivity, Museum of Contemporary Art Santa Barbara, CA 6018 Wilshire, Edward Cella Art & Architecture, Los Angeles, CA 2013 A New Sculpturalism: Contemporary Architecture in Southern California, MOCA Geffen, Los Angeles, CA LA Luz, The Well, Los Angeles, CA
2012 WILD CARDS, ACADIA 2012 Exhibition, California College of the Arts, San Francisco, CA WBA3: Architecture in the Expanded Field, California College of the Arts,San Francisco, CA 2011 Net Works: An Atlas of Connective and Distributive Intelligence in Architecture, Architectural Association, London, England
Self Structure, Le Lieu du Design, Paris, France
TIMEless, SUPERFRONT Gallery, Pacific Design Center, Los Angeles, CA 2010 Spontaneous Schooling Exhibition, London Festival of Architecture Event, Nous Gallery, London,England Room Mobile, See The Line Gallery at the Pacific Design Center, Los Angeles, CA 2D3D: Fast, Cheap, and Out of Control, Woodbury School of Architecture Hollywood Gallery, Los Angeles, CA
Contemplating the Void, Solomon R. Guggenheim Museum, New York, NY Cité de l'architecture et du Patrimoine, Paris , France 2009 From My Universe: Objects of Desire, See Line Gallery at the Pacific Design Center, Los Angeles, CA Flux, California College of the Arts, San Francisco, CA Urban Interventions, Boston Society of Architects, Boston, MA 2008 Beijing Biennale, Beijing, China
Architects without Architecture, Shore Institute of Contemporary Art, Long Branch, NJ 2007 Young Architects Program, Museum of Modern Art, New York, NY
SELECTED AWARDS, HONO RS AND GRANTS
2018 World Architecture News Awards, Finalist, Metal in Architecture - Healing Pavilion 2017 FABRICATE International Conference and Publication, Finalist - Healing Pavilion 2015 American's For the Arts, Public Art Network Year in Review, Finalist - Air Garden Architect Magazine, R&D First Award – Pulp Pavilion
50 Under 50: Innovators of the 21st Century, Images Publishing 21 for 21, World Architecture News Awards, Finalist
2014 Mies Crown Hall Americas Prize, Emerging Architecture Finalist - Maximilian’s Schell 2013 Edmonton Urban Design Awards, Fragments Category – Talus Dome The Select Ten, Metropolis Magazine
2012 Fast Company Innovation by Design Award Finalist, Spaces - Yucca Crater Attachment 7
3 Americans for the Arts, Public Art Network Year in Review Finalist – Yucca Crater Work acquired by Los Angeles County Museum of Art permanent collection 2011 Americans for the Arts, Public Art Network Year in Review Finalist – Table Cloth, Cradle 2010 Interior Design Magazine Best of Year Awards Finalist – Built to Wear, Table Cloth Los Angeles AIA Design Award, Merit – Table Cloth
2009 Shenzhen Hong Kong Biennale, Innovation Award, Built to Wear UCLA Arts Initiative Grant
2008 Graham Foundation Exhibition Grant, Life Cycle Design in Temporary Spatial Installation through Cross Manufacturing
California Home and Design Magazine, 10 to Watch
2007 United States Artists Target Fellowship
Otis College of Art and Design, O Award and Grant
Museum of Modern Art P.S.1, Young Architects Program – Winner Los Angeles AIA Design Award, Citation – Rip Curl Canyon Interior Design Magazine Best of Year Award – Rip Curl Canyon 2006 Durfee Foundation, Artist’s Resource for Completion Grant Los Angeles AIA Design Award, Honor Award – Maximilian’s Schell I.D. Magazine Annual Design Review, Best of Category: Environments – Maximilian’s Schell LA Architect Magazine, 10 to Watch
TEACHING EXPERIENCE
2020 A Bridge in Huntington Botanical Gardens, two-semester studio, Southern California Institute of Architecture (through MAD WORKSHOP), Los Angeles, CA
2017 Agency of Assets, Institute of Contemporary Art, Los Angeles, CA 2015 Cotsen Residency Artist Fellowship, Pulp Possessions: An Exhibitions of Lamps, Student workshop organized through Barnsdall Arts, Angeles, CA
2012 Pavillon Spéciale workshop, École Spéciale d’Architecture, Paris, France 2011 Visiting Professors, graduate studio, Contested Seat, University of California, Los Angeles, fall term 2010 Visiting Professors, graduate studio, Paperwork- Studies in Pulp, University of California, Los Angeles 2009 Visiting Professors, graduate seminar, University of California, Los Angeles Visiting Professors, Southern California Institute of Architecture, Los Angeles, CA 2007 Workshop, Texas A&M University, College Station, TX 2006 Lecturers, graduate seminar, Fabric Structure Protoype, University of Southern California, fall term space&designstrategies_research Workshop, Kunstuniversität, Linz, Austria
SPEAKING ENGAGEMENTS
2018 USC Architecture Spring 2018 Lecture Series, University of Southern California, Los Angeles, CA 2017 Ignite 12 Lecture Series, A lecture series to ignite creative passion, Irvine, CA Aerial Futures: Leading Edge, Aerial Futures Symposium, Architecture and Design Museum, Los Angeles, CA
Life Size: Innovative Prototyping, American Society of Landscape Architects Annual Meeti ng Education Session, Los Angeles, CA
Passive Aggressive Lighting, Lightspace California 2017, Anaheim, CA StimULI Breakfast: Dollars and Senses; The Real Estate Value of Public Art, Urban Land Institute, Gensler, Los Angeles, CA
Materiality, USC Architecture Spring Guest Lecture, University of Southern California, Los Angeles, CA 2016 Foundations and Futures Symposium, Exhibit Columbus, Columbus, IN The Architecture of Performance Symposium, UCLA IDEAS Campus, Culver City, CA Informed Form, University of Southern California, Los Angeles, CA Alternative Careers in Architecture, Dwell on Design panel, Los Angeles, CA 2015 Inglewood Urbanstage: Construction As Performance, Inglewood, CA RISD Lecture Series, Ryerson University School of Interior Design, Toronto, Ontario Museum Futures, A Roundtable for the Gensler Cultural Research Initiative, The Schindler House, West Hollywood, CA
2014 Fall Lecture Series, California State University Polytechnic Pomona, Department of Architecture, Pomona, CA
Art Center College of Design, Pasadena, CA
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4 On The Map 2014: Shop talk, LA Forum for Architecture and Urban Design, Los Angeles, CA AIA LA Small Firms Workshop “Innovated Models for Small-Scale Professional Architectural Practices,” Los Angeles, CA
Mies Crown Hall Americas Prize, Emerging Architecture Symposium, Chicago, IL BLING, Alaska Design Series, Fairbanks, Juneau & Anchorage, AK University of Cincinnati, Cincinnati, OH
Central Washington University, Department of Art, Ellensburg, WA 2013 The New Normal Symposium, Upenn, Philadelphia, PA
Taipei Fine Arts Museum, Taipei, Taiwan
ENVD 5:47 Lecture Series, University of Colorado at Boulder, Program in Environmental Design, Boulder, CO
2012 Institute for Advanced Architecture of Catalonia, Barcelona, Spain World Architecture Day, Mumbai, India
AIA Northern Nevada Conference, Nevada Museum of Art, Reno, NV Fall Lecture Series, University of Tennessee, Knoxville, TN SCI-Arc Gallery Installation Discussion, Los Angeles, CA AIA LA 2012 Design Conference, Los Angeles, CA
Baumer Lecture Series, Knowlton School or Architecture, Ohio State, OH Leadership Through the Arts, Butler University, Indianapolis, IN In Conversation: Lynn Aldrich, Benjamin Ball and Merry Norris with art critic Scarlet Cheng, A+D Museum and Edward Cella Art+ Architecture, Los Angeles, CA
San Jose State University School of Art & Design, San Jose, CA Woodbury University Dept of Interior Arch, Los Angeles, CA Temporary Insanity: The New Built Environment, California Design NOW, L.A.C.M.A. panel, Los Angeles, CA
Whither Installation Conference, University of Michigan, Ann Arbor, MI 2011 Designing Fabrication, Architectural Association, London, England Emerging Voices, Architectural League of New York, NY
Seattle Design Week, Space City, Seattle, WA
Progressive Architecture Symposium, UNAM, Mexico City, Mexico Texas A&M Department of Architecture, College Station, TX Public Art Lecture Series, Art Gallery of Alberta, Edmonton, AB, Canada Spring Lecture Series, Carnegie Mellon University School of Architecture, Pittsburg, PA Lecture and Exhibition Series, University Texas at Austin, Austin, TX 2010 Massachusetts Institute of Technology, Cambridge, MA Daniels Fall 2010 Lecture Series, University of Toronto, Toronto, Ontario, Canada AFLA Salon for New Voices, Architectural Foundation of Los Angeles, Ilan Dei Studio, Venice, CA Los Angeles Design Technology Forum, UCLA, Los Angeles, CA Perfect Lovers Lecture Series, Benjamin Ball in Conversation with Brooke Hodge, University of Irvine Graduate Art Department, Irvin e, CA
Locals Only, Woodbury School of Architecture, Burbank, CA Hearst Lecture Series, Cal Poly San Luis Obispo, San Luis Obispo, CA 2009 Flux, California College of the Arts, San Francisco, CA Cornell University, Ithaca, NY
Leisure Spaces, Interiors, Singapore
University of California, Los Angeles, CA
California State University Polytechnic Pomona, CA
2008 Dwell on Design Conference, Los Angeles, CA
Technologico de Monterrey, Mexico
Outlet, Mandrake, Los Angeles, CA
Art Institute of Chicago, Chicago, IL
Palm Springs Art Museum, Palm Springs, CA
Southern California Institute of Architecture, Los Angeles, CA 2007 Cleveland Museum of Contemporary Art, Ideastream, Cleveland, OH Florida AIA Emerging Professionals Conference, FL
Los Angeles Forum for Architecture and Urban Design, Los Angeles, CA Urban Land Institute, New York, NY
City University of New York, New York, NY
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5 Pratt, New York, NY
2006 California Institute of the Arts, Pasadena, CA
space&designstrategies_research, Kunst Universitat, Linz, Austria Rice University, Houston, TX
2005 Art Center College of Design, Pasadena, CA
Materials & Applications, Los Angeles, CA
PROFESSIONAL HISTORY
BEN
JAMIN BALL
Date of Birth 1968
Nationality USA
Education Southern California Institute of Architecture, Bachelor of Architecture 1989-94 Shibaura Institute of Technology, Tokyo, SCI-Arc Studio 1992 University of Colorado, Boulder, College of Environmental Design, 1986-1989 New College Oxford, Institute for British and Irish Studies, England, 1986 Professional Organiz ations
The American Institute of Architects, Associate AIA, Los Angeles Chapter United States Artists, Fellows Alumni Advisory Council
2004-present Ball-Nogues Studio, Los Angeles, CA
1996-2004 Benjamin Ball Design Studio, Los Angeles, CA
2001-2004 Ramer Architecture, Santa Monica, CA: Project Manager, Designer, Technology Manager for healthcare, commercial and residential design
AAB Surgery Center; Avcock Surgery Center; Center for Dermatology Care; Color Factory Manufacturing Facility; Center for Inquiry West Headquarters; Dunne Ossiander Residence; Frankel Medical Office; Garfield Medical Building; Grabie Medical Office; Haberman Sleep Center; Korman Surgery Center ; Moelleken Medical Building; San Francisco Endoscopy Center; Santa Cruz Endoscopy Center; Salus Short Hills Surgery Center; Woodglen Medical Building
2000-2001 M. Charles Bernstein Architects, Los Angeles, CA: Project Designer Horton Lees Brogden Lighting Design Offices; Klein Residence; Zelluck Loft Residence 1999-2000 Du Architects, Los Angeles, CA: Project Designer ABS Stores, Beverly Hills and Westside Pavilion; For Joseph Store, Miami; Two (2) Residences, Los Angeles, CA
1992 Victoria Cassasco Studio, Los Angeles: Project Designer Booth Residence, Santa Monica, CA; Residence, Chicago, IL 1991 Shirdel Zago Kipnis, Los Angeles, CA: Project Designer Factory Project for Princeton University Exhibit; Sandmark and Urban Plan Competition; Convention Hall for Nara, Japan Competition
1991 Frank Gehry & Associates, Santa Monica, CA: Team Member Disney Concert Hall; Guggenheim Museum, Bilbao
1991 Tom Farrage & Company, Santa Monica, CA: Custom metal fabrication 1990 Lubowicki Lanier Architects, El Segundo, CA: Project Designer O’Neill Residence; Stringfellow Residence
2001 Visual Consultant for Feature Films, Los Angeles, CA The Matrix Reloaded, The Matrix Revolution
1994-2001 Production Designer, Film, Los Angeles, CA
Commercials, events and music videos: Panasonic, Sega, Janet Jackson Velvet Rope Recor d Release Party, Turner Network Television, Marilyn Manson and approximately twenty others 1994-2001 Art Director, Film, Los Angeles, CA
Feature Films: The Mod Squad, Thursday
Music Videos: Michael and Janet Jackson’s Scream, Janet Jackson’s Got ‘til it’s Gone, Liz Phair, Counting Crows
Commercials: Audi, Chevrolet, MCI, Lexus, Pepsi and approx. 40 others 1994-2001 Set Designer and Illustrator, Film, Los Angeles, CA Commercials: Sprint, ATT, CompuServe, IBM, Merrill Lynch, Apple, AOL, Audi, Mattel, Nike, and approx. 75 others
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Artwork Proposal
2 Previous Work
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3 Maximilian’s Schell
Los Angeles, CA
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Artwork Proposal
Maximilian’s Schell
Los Angeles, CA
For the Sunnyvale Amphitheater we want to revisit the effects and ambitions of earlier Ball-Nogues works - Maximilian’s Schell and Liquid Sky at MoMA PS1. These works were not so much objects or sculptures as they were about experiences that remade everyday spaces. They transformed their respective contexts into kaleidoscopic plays with the of changing light and shadow.
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5 Liquid Sky
Queens, NY
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6 Getting There
Los Angeles, CA
We have used exterior UV resistant polycarbonate on several permanent projects - first for Los Angeles Metro - entitled Getting There - and also Shady Lane at the Louisiana State University Health Campus in New Orleans.
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7 Getting There
Los Angeles, CA
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8 Shady Lane
New Orleans, LA
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9 Shady Lane
New Orleans, LA
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10 Olive Tree
Sylmar, Ca.
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11 Cradle
Santa Monica, CA
The inspiration for the structure and form of this work came from an earlier Ball-Nogues project entitled Cradle. Made of hundreds of 316 stainless steel spheres all welded together, Cradle was inspired by the Newton’s Cradle or clacker ball toy that demonstrates the conservation of energy through the transfer of motion as one sphere strikes another.
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12 Concept
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13 Sunnyvale Amphitheater
For the Sunnyvale Amphitheater we want to revisit the effects and ambitions of earlier Ball-Nogues works - Maximilian’s Schell and Liquid Sky at MoMA PS1. These works were not so much objects or sculptures as they were about experiences that remade every - day spaces. They transformed their respective contexts into kaleidoscopic plays with the of changing light and shadow. Each work cast fractal patterns of colored light onto the ground, bathing the bodies of the visitors in amber and red hues. The warm hues and patterns provide a backdrop that is suitable for both contemplation and social interaction.
The light phenomena of this work is universally appealing and can easily serve as a back - ground for activities ranging from meditation to live music performances.
This artwork is in the lineage of California Light and Space movement as well as related strains of installation art produced in South America during the 60s onward. “Seeing one- self sensing” and the phenomenology of light and shadow are the subjects of this work.
The “canopy” of spheres has an air of lightness. Hundreds of individual spheres in a deep amber hue create a sense of warmth while still cooling the surfaces within its shadow of refracted light. The spheres are parametrically variable in size, from 4 to 16 inches in diameter. Each is supported within a thin matrix of 316 stainless steel rings and rods, cre- ating an aggregate structure so that no stress can be induced on the spheres themselves.
This stainless steel matrix structure is rigid in order to resist uplift and lateral movement due to wind and seismic events.
We achieve our effects by way of the tight integration of concept, computation and fab- rication. The form of the work will be determined during a digital design process and produced by way of CNC manufactured jigs. The effects also are made possible by way of developments in advanced polymer materials. We have used exterior UV resistant polycarbonate on several permanent projects - first for Los Angeles Metro - entitled Get- ting There - and also Shady Lane at the Louisiana State University Health Campus in New Orleans.
The inspiration for the structure and form of this work came from an earlier Ball-Nogues project entitled Cradle. Made of hundreds of 316 stainless steel spheres all welded to- gether, Cradle was inspired by the Newton’s Cradle or clacker ball toy that demonstrates the conservation of energy through the transfer of motion as one sphere strikes another.
We want this work to look to the future while nodding to past Ball-Nogues work and the history of light based installation art in California. Adding the elements of digital technolo- gy and advanced materials make it a fitting emblem for the visionary culture of Sunnyvale.
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14 Site Option 1
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15 The work cast fractal patterns of colored light onto the ground, bathing the bodies of the visitors in amber hues. The warm hues and patterns provide a backdrop that is suitable for both contemplation and social interaction. The light phenomena of this work is universally appealing and can easily serve as a background for activities ranging from meditation to live music performances.
Attachment 7
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Artwork Proposal
16 The “canopy” of spheres has an air of lightness. Hundreds of individual spheres in a deep amber hue create a sense of warmth while still cooling the surfaces within its shadow of refracted light. The spheres are parametrically variable in size, from 4 to 16 inches in diameter.
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17 They transformed their respective contexts into kaleidoscopic plays with the of changing light and shadow. At night the spheres could be back-lit from the support poles.
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18 Attachment 7
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19 Each is supported within a thin matrix of 316 stainless steel rings and rods, creating an aggregate structure so that no stress can be induced on the spheres themselves. This stainless steel matrix structure is rigid in order to resist uplift and lateral movement due to wind and seismic events. Note: ADA clearance complaint.
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20 Site Option 2
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21 Attachment 7
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22 Attachment 7
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23 ADA clearance complaint.
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24 Site Option 3
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25 Attachment 7
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26 Attachment 7
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27 ADA clearance complaint.
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