HADDAD|DRUGAN
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LAURA HADDAD
315 28th Avenue S., Seattle, WA 98144 USA
206.621.7333
[email protected]
www.haddad-drugan.com
COMMISSIONS(with Haddad Drugan, LLC)
IN PROGRESS
New Arena at Seattle Center , Axis Lounge & North Light, Seattle, WA, Oak View Group; plaza performance space & lighting Water Street Parking Garage , Emergence, Jacksonville, FL, Cultural Council; multi- media façade installation Bellevue Residential Tower , Cascadia, Bellevue, WA. Bosa Development; façade relief sculpture and façade mural
2020
Dulles Corridor Metrorail Herndon Station , Washington Metropolitan Area Transit Authority; illuminated paving 107th Avenue Streetscape , Phoenix Office of Arts and Culture; shade structures along 1 -mile streetscape LOVE Park, Love Seat, Philadelphia Office of Arts and Culture; illuminated sculptural benches for a downtown park (on hold) Fremont Cubix Building , Hammer Screen, Seattle, WA, 4Culture; illuminated relief sculpture for a new building (on hold)
2019
Pena Station, Luminous Wind, Denver, CO, Denver International Airport Public Art Program; plaza sculpture Sun Metro Rapid Transit System , Desert Camouflage, El Paso, TX, MCAD; bus shelter screens for 10 -mile transit line
2018
Rocky Ridge Recreation Facility , Flock and Convergence, Calgary, AB, Calgary Public Art Program; two iconic sculptures Anthony Wayne Trail Offramp , Toledo Rise, Toledo Arts Commission; environmental art and sculpture at city gateway
2017
Central Parking Deck , Town of Cary; 73,000 -brick façade design evoking adjacent park landscape (project canceled) George Sullivan Power Plant , Cosmic Rise, Anchorage, AK, 1% for Art Program; illuminated mural DP Lincoln Avenue Bridge Portal , Bins of Light , Yakima, WA; illuminated glass portal at a railroad underpass
2015
Angle Lake Light Rail Station , Cloud, SeaTac, WA, Sound Transit; suspended sculpture on aerial guideway West Riverfront Park , Light Meander, Metro Nashville Arts Commission; landmark sculpture in a new park Schuylkill Center for Environmental Education , Entry Landscapes , Philadelphia, PA; environmental art Charles Village Streetscape , Optical Gardens, Baltimore, MD, BOPA; sculpture, paving, landscape, lighting for 1-block plaza
2014
Pier 92, Bayview Rise, San Francisco Arts Commission & Port of San Francisco; illuminated mural on grain terminal Denver Museum of Nature & Science , Iridescent Cloud, Denver Arts & Venues; sculpture and paving Wickford Junction MBTA Station , Semaphore, North Kingstown, RI, RISCA; sculpture and mosaic Edmonton Valley Zoo, Grove of Light, Edmonton, AB, Edmonton Arts Council ; sculpture
2012
Acreage Library , Productive Light, West Palm Beach, FL, Palm Beach County Art in Public Places ; aerial light sculpture
2011
Seattle-Tacoma International Airport , Emerald City, Port of Seattle; environmental art and structures for entry feature Denver Animal Shelter , Sun Spot , Denver, CO, Arts and Venues Denver; sculptures and landscape 5th Avenue Streetscape , Cloud Chamber, Seattle, WA, SDOT; light sculpture street pole Hubbard Homestead Park , Spring Source, Seattle, WA, Seattle Parks & Recreation; water sculpture
2010
Colony Park , Las Zanyas, Anaheim, CA, City of Anaheim; interactive watercourt and picnic shelters Indian Bend Wash , Water Mark , Scottsdale, AZ, Scottsdale Public Art; horse gargoyles and earthworks Denny Way CSO Project, Undercurrents , Seattle, WA, 4Culture; plaza, sculpture, and etched mural
2009
Richmond Beach Saltwater Park , Reflex Solaris, Shoreline, WA, Shoreline Public Art; sculpture and plaza Southern Community Park, Elemental Landscape , Chapel Hill Arts Commission ; sculpture and ear thworks
2007
Fremont Peak Park, Seattle, WA, Seattle Parks & Recreation ; co-designed half-acre park with sculpture Greenbridge Housing , Botanica, Landslide, White Center, WA, KCHA; sculpture and earthworks Attachment 9
Shilshole Bay Marina, Groundswell , Seattle, WA, Port of Seattle; interactive water feature Fire Station 35 Plaza, Lineage, San Jose, CA, San Jose Arts Commission ; sculpture and plaza
2006
Oxbow Park, Garden Hat , Seattle, WA, 4Culture & Georgetown Community Council ; temporary installation
2001-2004
Oxbow Park , Seattle, WA, Seattle Parks & Recreation; co-designed one-acre park with historic structures Monument Square, Jewel Box , Portland, ME, Portland Public Art Program; sculptural bus shelter Seattle Waterfront Marriott Hotel Rooftop , Seattle, WA, Marriott International; r ooftop paving artwork Art on the Outside, Starchief , West Hollywood, CA, West Hollywood Arts Commission; temporary installation
ART PLANNING(with Haddad Drugan, LLC)
Greenville Emerald Loop – SmART City Vision Plan , Greenville, NC, 2019 -present, Pitt County and NC Arts Councils New Arena at Seattle Center - Public Art Plan, Seattle, WA, 2018 -present, Oak View Group Seattle-Tacoma International Airport Landscape Master Plan , 2019, with HBB and RS&H, Port of Seattle Bend in the Bow Art Plan , Calgary, AB, 2016, with O2 Design, City of Calgary Elliott Bay Seawall Project, Art Programming Plan , Seattle, WA, 2013, with Parsons and Field Operations, Seattle DOT South Link Light Rail Extension Public Art Plan , SeaTac, WA, 2011, Sound Transit Bellevue Great Streets Art Elements Plan , Bellevue, WA, 2007, with Mithun, City of Bellevue Seattle -Tacoma International Airport North Entry Art Plan , SeaTac, WA, 2005, with HBB, Port of Seattle Roosevelt/Green Lake Interstate -5 Underpass Art Plan , Seattle, WA, 2002, 4 Culture
EDUCATION— LAURA HADDAD
University of California, Berkeley, CA, Master of Landscape Architecture, 1993 Harvard University, Cambridge, MA, Graduate School of Design, Landscape Architecture program, 1989 -90 Bowdoin College, Brunswick, ME, Bachelor of Arts in History, 1988 Maine College of Art, Portland, ME, art coursework, 1987 Scuola Lorenzo de Medici, Florence, Italy, art cour sework, 1986
PRO FESSIONAL ACTIVITIES — LAURA HADDAD
Seattle Design Commission , 2016-2020, artist member, mayor-appointed commission reviewing City projects Seattle Office of Arts & Culture, Public Art Advisory Committee, 2016-2020, committee reviewing public art proposals Port of Seattle, Art Oversight Committee , 2012-2016, member of public art advisory committee University of Washington, Department of Landscape Architecture , 2004-2011, member of Professional Advisory Council Seattle Monorail Project Art Committee, Seattle, WA, 2004-05, member of a committee overseeing art program
SELECT AWARDS
ASLA Professional Design Award, 2017, Seattle Central Seawall, Seattle, WA, design team artist with Field Operations Americans for the Arts PAN —Year in Review Award, 2015, Bayview Rise, San Francisco, CA Americans for the Arts PAN—Year in Review Award, 2012, Emerald City, Seattle-Tacoma International Airport Americans for the Arts PAN —Year in Review Award, 2012, Sun Spot, Denver, CO California Park & Recr eation Society—Award of Excellence, 2011, Colony Park, Anaheim, CA Valley Forward Association Environmental Excellence Merit Award, 2010, Water Mark, Scottsdale, AZ Americans for the Art s PAN—Year in Review Award, 2010, Elemental Landscape, Chapel Hill, NC Seattle Design Commission —Design Award, 2009, Fremont Peak Park, Seattle, WA Americans for the Arts PAN —Year in Review Award, 2008, Fremont Peak Park, Seattle, WA WASLA Professional Award —Special Mention for Social Response, 2008, Greenbridge Parks, Seattle, WA WASLA Professional Honor Award, 2003, Oxbow Park, Seattle, WA PONCHO & Centrum Arts Center, 1999, Port Townsend, WA, funded artist residency in Fort Worden State Park
TEACHING
Rhode Island School of Design, Department of Landscape Architecture, Adjunct Faculty, 2006-2011 (intermittent studios) University of Washington, Department of Landscape Architecture, Adjunct Faculty, 2004-2015 (intermittent studios) Attachment 9
THOMAS DRUGAN
315 28th Avenue S., Seattle, WA 98144 USA
206.621.7333
[email protected]
www.haddad-drugan.com
COMMISSIONS(with Haddad Drugan, LLC)
IN PROGRESS
New Arena at Seattle Center , Axis Lounge & North Light, Seattle, WA, Oak View Group; plaza performance space & lighting Water Street Parking Garage , Emergence, Jacksonville, FL, Cultural Council; multi- media façade installation Bellevue Residential Tower , Cascadia, Bellevue, WA. Bosa Development; façade relief sculpture and façade mural
2020
Dulles Corridor Metrorail Herndon Station , Washington Metropolitan Area Transit Authority; illuminated paving 107th Avenue Streetscape , Phoenix Office of Arts and Culture; shade structures along 1 -mile streetscape LOVE Park, Love Seat, Philadelphia Office of Arts and Culture; illuminated sculptural benches for a downtown park (on hold) Fremont Cubix Building , Hammer Screen, Seattle, WA, 4Culture; illuminated relief sculpture for a new building (on hold)
2019
Pena Station, Luminous Wind, Denver, CO, Denver International Airport Public Art Program; plaza sculpture Sun Metro Rapid Transit System , Desert Camouflage, El Paso, TX, MCAD; bus shelter screens for 10 -mile transit line
2018
Rocky Ridge Recreation Facility , Flock and Convergence, Calgary, AB, Calgary Public Art Program; two iconic sculptures Anthony Wayne Trail Offramp , Toledo Rise, Toledo Arts Commission; environmental art and sculpture at city gateway
2017
Central Parking Deck , Town of Cary; 73,000 -brick façade design evoking adjacent park landscape (project canceled) George Sullivan Power Plant , Cosmic Rise, Anchorage, AK, 1% for Art Program; illuminated mural DP Lincoln Avenue Bridge Portal , Bins of Light , Yakima, WA; illuminated glass portal at a railroad underpass
2015
Angle Lake Light Rail Station , Cloud, SeaTac, WA, Sound Transit; suspended sculpture on aerial guideway West Riverfront Park , Light Meander, Metro Nashville Arts Commission; landmark sculpture in a new park Schuylkill Center for Environmental Education , Entry Landscapes , Philadelphia, PA; environmental art Charles Village Streetscape , Optical Gardens, Baltimore, MD, BOPA; sculpture, paving, landscape, lighting for 1-block plaza
2014
Pier 92, Bayview Rise, San Francisco Arts Commission & Port of San Francisco; illuminated mural on grain terminal Denver Museum of Nature & Science , Iridescent Cloud, Denver Arts & Venues; sculpture and paving Wickford Junction MBTA Station , Semaphore, North Kingstown, RI, RISCA; sculpture and mosaic Edmonton Valley Zoo, Grove of Light, Edmonton, AB, Edmonton Arts Council ; sculpture
2012
Acreage Library , Productive Light, West Palm Beach, FL, Palm Beach County Art in Public Places ; aerial light sculpture
2011
Seattle-Tacoma International Airport , Emerald City, Port of Seattle; environmental art and structures for entry feature Denver Animal Shelter , Sun Spot , Denver, CO, Arts and Venues Denver; sculptures and landscape 5th Avenue Streetscape , Cloud Chamber, Seattle, WA, SDOT; light sculpture street pole Hubbard Homestead Park , Spring Source, Seattle, WA, Seattle Parks & Recreation; water sculpture
2010
Colony Park , Las Zanyas, Anaheim, CA, City of Anaheim; interactive watercourt and picnic shelters Indian Bend Wash , Water Mark , Scottsdale, AZ, Scottsdale Public Art; horse gargoyles and earthworks Denny Way CSO Project, Undercurrents , Seattle, WA, 4Culture; plaza, sculpture, and etched mural
2009
Richmond Beach Saltwater Park , Reflex Solaris, Shoreline, WA, Shoreline Public Art; sculpture and plaza Southern Community Park, Elemental Landscape , Chapel Hill Arts Commission ; sculpture and ear thworks
2007
Fremont Peak Park, Seattle, WA, Seattle Parks & Recreation ; co-designed half-acre park with sculpture Greenbridge Housing , Botanica, Landslide, White Center, WA, KCHA; sculpture and earthworks Attachment 9
Shilshole Bay Marina, Groundswell , Seattle, WA, Port of Seattle; interactive water feature Fire Station 35 Plaza, Lineage, San Jose, CA, San Jose Arts Commission ; sculpture and plaza
2006
Oxbow Park, Garden Hat , Seattle, WA, 4Culture & Georgetown Community Council ; temporary installation
2001-2004
Oxbow Park , Seattle, WA, Seattle Parks & Recreation; co-designed one-acre park with historic structures Monument Square, Jewel Box , Portland, ME, Portland Public Art Program; sculptural bus shelter Seattle Waterfront Marriott Hotel Rooftop , Seattle, WA, Marriott International; r ooftop paving artwork Art on the Outside, Starchief , West Hollywood, CA, West Hollywood Arts Commission; temporary installation
ART PLANNING(with Haddad Drugan, LLC)
Greenville Emerald Loop – SmART City Vision Plan , Greenville, NC, 2019 -present, Pitt County and NC Arts Councils New Arena at Seattle Center - Public Art Plan, Seattle, WA, 2018 -present, Oak View Group Seattle-Tacoma International Airport Landscape Master Plan , 2019, with HBB and RS&H, Port of Seattle Bend in the Bow Art Plan , Calgary, AB, 2016, with O2 Design, City of Calgary Elliott Bay Seawall Project, Art Programming Plan , Seattle, WA, 2013, with Parsons and Field Operations, Seattle DOT South Link Light Rail Extension Public Art Plan , SeaTac, WA, 2011, Sound Transit Bellevue Great Streets Art Elements Plan , Bellevue, WA, 2007, with Mithun, City of Bellevue Seattle -Tacoma International Airport North Entry Art Plan , SeaTac, WA, 2005, with HBB, Port of Seattle Roosevelt/Green Lake Interstate -5 Underpass Art Plan , Seattle, WA, 2002, 4 Culture
EDUCATION— TOM DRUGAN
Harvard University, Cambridge, MA, Graduate School of Design, Master of Landscape Architecture, 1990 University of Colorado , Boulder, Colorado, Bachelor of Architecture, Minor Film Studies, 1986
SELECT AWARDS
ASLA Professional Design Award, 2017, Seattle Central Seawall, Seattle, WA, design team artist with Field Operations Americans for the Arts PAN—Year in Review Award, 2015, Bayview Rise, San Francisco, CA Americans for the Arts PAN—Year in Review Award, 2012, Emerald City, Seattle-Tacoma International Airport Americans for the Arts PAN —Year in Review Award, 2012, Sun Spot, Denver, CO California Park & Recreation Society —Award of Excellence, 2011, Colony Park, Anaheim, CA Valley Forward Association Environmental Excellence Merit Award, 2010, Water Mark, Scottsdale, AZ Americans for the Art s PAN—Year in Review Award, 2010, Elemental Landscape, Chapel Hill, NC Seattle Design Commission —Design Award, 2009, Fremont Peak Park, Seattle, WA Americans for the Arts PAN —Year in Review Award, 2008, Fremont Peak Park, Seattle, WA WASLA Professional Award —Special Mention for Social Response, 2008, Greenbridge Parks, Seattle, WA WASLA Professional Honor Award, 2003, Oxbow Park, Seattle, WA
TEACHING
Rhode Island School of Design, Department of Landscape Architecture, Adjunct Faculty, 2006-2011 (intermittent studios) University of Washington, Department of Landscape Architecture, Adjunct Faculty, 2004-2015 (intermittent studios) Attachment 9
SUNNYVALE | SPECTRA
Civic Center Amphitheater Art
Public Art Proposal
HADDAD|DRUGAN
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Relevant Past Work
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SUSPENDED SCULPTURE: Iridescent Cloud (Denver, CO)
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FORMED SCULPTURE: Grove of Light (Edmonton, AB)
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PAINTED SCULPTURE: Semaphore (Wickford, RI)
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LIGHT ART: Bayview Rise (San Francisco, CA)
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Conceptual Investigation
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With a name and logo that both mean
“sunny valley,” Sunnyvale’s identity is
rooted in the natural splendor that has
infused and informed the city’s culture
and industry. Dubbed the “City of
Destiny” by its early developers,
Sunnyvale has evolved into a place
where destiny can meet dreams.
The art concept, Spectra, plays with
ideas about light, wonder and
discovery to create a site-specific
artwork that alludes to the bright
optimism, idealism and imagination of
Sunnyvale.
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NATURE & INDUSTRY
Sunnyvale’s storied sunlight has resulted in the
region’s vibrant agricultural history of fruit
orchards and canneries. Also essential to the
bounty of the orchards is the other natural
phenomenon of rainfall.
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A rainbow, representing fortune and
destiny, is a manifestation of the two
natural phenomena necessary to
sustain life: sunlight and rain.
NATURE & DREAMS
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BUSINESS & INDUSTRY
Rainbows are associated with many of the
largest employers and entrepreneurs of what
is now known as Silicon Valley.
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DIVERSITY & INCLUSION
Rainbows, particularly in California, have a rich
multi-cultural history as a symbol of hope,
cooperation and peace. Rainbows are
identified with inclusive coalitions and
movements, such as gay pride.
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SCIENCE OF RAINBOWS
Rainbows have long fascinated opticians – artists and
physicists alike. Descartes recognized that rainbows occur when individual rain droplets are illuminated by the sun.
He investigated angles of sunlight, rainfall and viewing that together allow light to be visually manifested as bands of individual colors forming rainbows. The spirit of
experimental inquiry associated with rainbows is also
reflected in Silicon Valley’s technological developments.
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REFRACTION & REFLECTION
A ray of white light from the
sun (A) coming from behind
the viewer (E) refracts (B) into
seven individual light waves,
or colors, as it enters an
individual raindrop. These
individual colors then reflect
(C) off the back of the
raindrop and refract again (D)
as they exit the raindrop and
enter the observer’s vision
cone.
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COLOR DISPERSION
Each of the many droplets making
up a rainbow manifests just one color
of the spectrum to each viewer,
depending on the wavelength of
light that has passed through it that
is visible to that observer.
Different colors (or wavelengths) of
light bend at slightly different angles
as they refract and reflect through a
droplet, called dispersion. The way
the individual wavelengths stack into
bands forms the rainbow.
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ORDERS OF RAINBOWS
Six unique orders of rainbows are visible in different conditions and are numbered based on how many times a ray of light reflects inside a water droplet. With each progressive order the light reflects more times, resulting in increasing loss of light and dimmer rainbows. The direction of the path in which the light enters and exits a droplet determines if red or violet will visible be at the top of the bow.
Primary rainbow; visible
when looking away
from the sun
Secondary rainbow;
visible 8 degrees
above a 1
st order
rainbow
3rd order rainbow;
forming around the sun
and visible against dark
clouds when looking
into the sun, in a
sunbreak after a
downpour
4 rd order rainbow;
forming outside of a
3 rd order rainbow
5th order rainbow;
forming below a
primary rainbow
6 th order rainbow;
visible only in
controlled experiments
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PRIMARY & SECONDARY RAINBOWS
1st and 2nd order rainbows
are visible when looking
away from the sun
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TERTIARY & QUATENARY RAINBOWS
3rd and 4th order rainbows
are visible when looking
toward the sun
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Site Analysis & Goals
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DISCOVERY IN THE REDWOOD GROVE
Create artwork
with universal and
magical appeal, to
be discovered
amongst the
redwood trees.
Existing redwood trees at site
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CIRCLES & RINGS
Consider circular
motifs of the stage
and pathways.
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PORTALS
Create sculptural portals that
transition people into and out of
the amphitheater space.
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FRAME
Frame the amphitheater with
sculpture that provides a sense of
enclosure and the feeling of being
within an enchanting theatrical
environment; artwork should be
visible from the the seating area
but not interfere with views of the
stage.
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FOCAL POINT
Integrate an art feature (that
does not interfere with sight
lines to stage) into the
seating area in order to
activate the space during pre,
post, and non-event times.
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Site Plan Approaches
We explored a variety of conceptual frameworks for
incorporating ideas about light and rainbows into the
amphitheater and its surrounding site in ways that support the site analysis goals.
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TRIPLE ORDER RAINBOWS
Primary rainbow:
sculptural portals
Secondary rainbow:
colored glass
paving
Tertiary rainbow:
colored tiles on
step risers
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LIGHT PASSAGES
Sculptural portals: cool
colors on north side;
warm colors on south
side; or full spectrums
on both sides
Paving band: green
colored glass paving
connects cool and
warm portals
“Infrared” path:
recycled red copper
aggregate blended
with crushed rock
“Ultraviolet” trees:
Ultraviolet LEDs
incorporated into
redwood grove to
illuminate trees and
people walking
amongst trees
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SPECTRUM PAVING
Colored glass
paving portals
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SUSPENDED SCULPTURE
Colored metal
sculpture
suspended
above seating
area
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Sculpture Approaches
Based on our site studies, we have developed several
sculptural approaches about light, color, reflections, and refractions. Any of these elements, or elements from the site plan studies, may be developed or combined into the final built artwork.
1. CHROMATIC TUNNEL
2. REFLECTION PORTAL 3. LIGHT PATHS
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! Sculptural portals: rolled, painted steel; cool colors north; warm colors south; evoke both classic rainbow shape + acoustic waves ! Stage paving: green glass band; links cool and warm portals to complete visible spectrum; conceptually links to green landscape ! Woodland path: red mineral aggregates blended with crushed rock; winds between redbud and redwood trees
1. CHROMATIC TUNNEL
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! Paving bands may transition through color and texture fades
1. CHROMATIC TUNNEL
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! Archway colors may be partial spectrums (shown on previous pages) or full spectrums (shown here) ! Archway tubes are rendered as 16”-diameter; size will be slimmed and refined as part of design development
1. CHROMATIC TUNNEL
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! Approach from Olive Street
! Archway height is graduated; minimum height to be determined based on maintenance and emergency access vehicles ! A single archway (as shown) or double archway may be pursued
1. CHROMATIC TUNNEL
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! Arches visually condense into perfect rainbow form when viewed head-on, from parking lot
1. CHROMATIC TUNNEL
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! Arches visually condense into perfect rainbow form when viewed head-on, from amphitheater seating
1. CHROMATIC TUNNEL
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! Approach from south parking lot
1. CHROMATIC TUNNEL
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1. CHROMATIC TUNNEL
! In-grade LED fixtures may be incorporated into landscape at edges of path to illuminate portal interior Attachment 9
! Sculptural portals: cut, welded and painted square steel tubes mimic the reflection path of a 3rd order rainbow ! Tubes are graduated in size (1.5-6”), and shapes are graduated in height and width, to create telescoping effect ! Colors may reflect full or partial spectrum
2. REFLECTION PORTAL
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! Arches visually condense into a rainbow form when viewed head-on, from parking lot (left) and amphitheater seating (right)
2. REFLECTION PORTAL
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2. REFLECTION PORTAL
! Approach from south parking lot
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2. REFLECTION PORTAL
! LEDs backlighting translucent colored strips can be incorporated into the inner faces of the sculpture’s lower two segments ! Mirrored colored strips on the inner faces of the sculpture’s upper two segments reflect light emitting from the translucent strips ! People will see themselves and others reflected in the mirrored upper strips as they walk through the portal ! Reflected colored light reflected will be cast onto the the paving and people walking through the portal Attachment 9
2. REFLECTION PORTAL
! Coloration may be either a partial or full spectrum
! Inner faces may be painted steel like other faces (shown here) or colored, mirrored and translucent surfaces (previous page) Attachment 9
2. REFLECTION PORTAL
! An alternative lighting strategy is to incorporate in-grade LED fixtures on path edges to illuminate painted inner faces of portal Attachment 9
3. LIGHT PATHS
! Sculptural members: cut, welded and painted round steel or aluminum tubes of uniform size (~3”) in all colors of the spectrum ! Stainless steel columns around perimeter support cable system (not shown) from which sculptural members are suspended Attachment 9
3. LIGHT PATHS
! Sculpture is suspended above amphitheater seating area from columns located in perimeter landscape ! Individual sculpture members take their forms from the refraction/reflection paths of the 6 orders of rainbows ! Sculpture members may be positioned so their forms are more legible from below (shown above) or the side (previous page)
REFLECTION PATHS OF RAINBOWS
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3. LIGHT PATHS
! Thin cables or rods may be used to structurally tie sculpture members together and evoke falling rain Attachment 9
3. LIGHT PATHS
! Suspended sculpture creates a focal point that can be enjoyed during non-event times ! Position of sculpture over seats will not visually interfere with performances Attachment 9
3. LIGHT PATHS
! Individual sculpture members may each be painted a single solid color Attachment 9
3. LIGHT PATHS
! Individual sculpture members may each be painted in fades through all the colors of the visual spectrum Attachment 9
3. LIGHT PATHS
! Spotlights mounted to perimeter columns can illuminate the sculpture at night (white light shown) Attachment 9
3. LIGHT PATHS
! Color-changing light: red light will illuminate red, orange, yellow and violet sections of the sculpture and darken other colors Attachment 9
3. LIGHT PATHS
! Color-changing light: green light will illuminate green, yellow, and cyan sections of the sculpture and darken other colors Attachment 9
3. LIGHT PATHS
! Color-changing light: blue light will illuminate blue, cyan, and violet sections of the sculpture and darken other colors Attachment 9
3. LIGHT PATHS
! Color-changing light: different light fixtures can be different colors at the same time Attachment 9
3. LIGHT PATHS
! Color-changing light: dynamic flows of color-changing light projected onto the sculpture can create a visual ballet in the sky Attachment 9
MATERIALS – METAL
Round steel tube rolled into curves, for
Chromatic Tunnel
Square steel or stainless steel tube, mitered and
welded at corners, for Reflection Portal
Overhead mirrored surfaces,
for Reflection Portal
Round steel or
aluminum tube, for
Light Paths
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MATERIALS – PAINT
Durable painted surfaces include sandblast, primer, automotive paint, and marine-grade clear sealant. Solid, metallic and metal fleck finishes are possible Color fade on H|D
sculpture in progress
Metallic fleck on H|D
sculpture in progress
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MATERIALS – PAVING
Stained glass aggregate paving (Lithocrete) at
Kona Kai resort, by H|D
Recycled glass aggregate paving (Lithocrete), at Denver Museum of Nature and Science, by H|D
Recycled copper slag and glow stone aggregates can
be blended with crushed granite pathway in reference
to “infra-red-wood” and “ultra-violet” light
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MATERIALS – LIGHTS
In-grade LED fixtures, for
Chromatic Tunnel or
Reflection Portal
Color-changing LED floodlights surface-
mounted to poles, for Light Paths
Internal LED band backlighting
translucent acrylic or glass,
reflecting off colored mirror, for
Reflection Portal
DMX controller used to
program color-changing lights
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MAINTENANCE NOTES
• Each Spectra element will have a slightly different maintenance regime. • Annual inspections should be conducted to ensure that bolted connections are secure.
• Annual cleaning of sculpture with low-pressure water, sponges and a mild detergent is recommended to keep surfaces looking their best and to prevent metal from corroding.
• Painted and metal finishes that can be touched up in the field will be selected. • Paint colors will not quickly fade due to use of durable UV-resistant sealants and because sculpture will be shaded by trees for large portions of the day. • Repainting of the sculpture may be desired at some future time, approximately 15-20 years after installation.
• LED light fixtures have a life span of approximately 18-20 years before they dim to the point where their replacement should be considered.
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